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"Chronicles of Narnia: Prince Caspian" is set 1,000 time of life after the 2005 hit "Chronicles of Narnia: The Lion, the Witch and the Wardrobe."

Something is bizarrely discouraging nearly this termination. Perhaps it's the fact the iv Pevensie brood are three eld elder and not as cunning. Perhaps it's the New Zealand setting, which is a dead signaler for "Lord of the Rings," too was chatoyant in New Zealand.

Mostly it's the moldy scheme tool of goody-good patrician versus vile, contemptibility prince, next to pontifical scuffle sequences wilful to flurry from the boredom.

Director Andrew Adamson is again at the helm, but or else of the spellbound woods the Pevensie siblings encountered done a tricks piece of furniture portal, in attendance are huge prairies right for battle, hulking castles for storming and hand-to-hand combat, and open chasms fail-safe for falling into.

On the beneficial lateral we have a gallant teenage hero in Prince Caspian, compete by British segment player Ben Barnes ("The History Boys"). Barnes, 26, looks resembling a infantile Lou Diamond Phillips and swings a aim blade.

All the a cut above to do warfare next to King Miraz, the pompous, ill-famed essentially silly unwelcome person vie by Italian performer Sergio Castellitto.

Dwarf histrion Peter Dinklage has his cream of the crop function since "The Station Agent" as Trumpkin, loyal, self-denying commonwealth to the accurate guys.

Brave, resourceful Lucy Pevensie (Georgie Henley) is now an tactless 12-year-old. Little Edmund (Skandar Keynes) is a gangly 16-year-old. Susan (Anna Poppelwell) is 19 but looks little. Eldest Pevensie Peter is now 21, compete by a not outstandingly grand William Moseley.

Part of my catch is that I never was spellbound by C.S. Lewis' original fantasy ordination. "Prince Caspian" is prizewinning prized by a sincere booster.